8 edition of Romanticism and the self-conscious poem found in the catalog.
Includes bibliographical references (p. -302) and index.
|LC Classifications||PR575.S44 O54 1997|
|The Physical Object|
|Pagination||xliv, 308 p. ;|
|Number of Pages||308|
|LC Control Number||97002025|
Romanticism A poetic movement of the late 18th and early 19th centuries that turned toward nature and the interior world of feeling, in opposition to the mannered formalism and disciplined scientific inquiry of the Enlightenment era that preceded it. (shelved 6 times as american-romanticism) avg rating — , ratings — published
Victor Hugo was a noted French romantic poet as well, and romanticism crossed the Atlantic through the work of American poets like Walt Whitman and Edgar Allan Poe. The romantic era produced many of the stereotypes of poets and poetry that exist to this day (i.e., the poet as . Revolution. When reference is made to Romantic verse, the poets who generally spring to mind are William Blake (), William Wordsworth (), Samuel Taylor Coleridge (), George Gordon, 6th Lord Byron (), Percy Bysshe Shelley () and John Keats (). These writers had an intuitive feeling that they were ‘chosen’ to guide others .
Romantic Poetry of new ideas that specifically respond to and address rapid changes in the nature of knowledge, changes that affect established interrelationships between the arts, the sciences, industry and technology, politics, psychology, language, and history. This is because romanticism was more focused on nature rather than the society which was the focus of neoclassicism. The liberal nature of the romanticism can be explored by the poetry that existed during the period. The language of the common person was used in majority of the works that belonged to the Romantic period.
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This book explores the "self-conscious poem" - that is, a poem concerned with poetry that displays awareness of itself as poetry - in the work of the major Romantic poets, Blake, Wordsworth, Coleridge, Byron, Shelley, and by: For the author, self-consciousness is allied to the new status granted to poetry by the Romantics.
His closely attentive readings suggest that self-conscio More. In this wide-ranging study the author examines the phenomenon of the ‘self-conscious poem’ — that is, a poem concerned with poetry or, more centrally if often connectedly, a poem that displays awareness of itself as a poem — in the work.
This book explores the "self-conscious poem" - that is, a poem concerned with poetry that displays awareness of itself as poetry - in the work of the major Romantic poets, Blake, Wordsworth, Coleridge, Byron, Shelley, and Keats.
Michael O'Neill's readings freshly illuminate the Price: $ Michael O'Neill. A Clarendon Press Publication. Description. This book explores the "self-conscious poem" - that is, a poem concerned with poetry that displays awareness of itself as poetry - in the work of the major Romantic poets, Blake, Wordsworth, Coleridge, Byron, Shelley, and Keats.
Romanticism and the Self-Conscious Poem is a subtly intriguing, clear-eyed, and always powerfully argued book. It offers a series of cogent, involved discussions around altitle-explored aspect of Romantic poetry, and in agile, elegant prose to boot. * Richard Marggraf Turley, University of Wales, Aberystwyth, Romanticism * Read more.
Romanticism and the Self-Conscious Poem is a subtly intriguing, clear-eyed, and always powerfully argued book. It offers a series of cogent, involved discussions around a ltitle-explored aspect of Romantic poetry, and in agile, elegant prose to boot.
(PDF) Romanticism and the Self-Conscious Poem by Michael O'Neill | Heidi Thomson - is a platform for academics to share research papers. In the first eight chapters of Romanticism and the Self-Conscious Poem, Michael O'Neill reads many of the most familiar poems of Blake, Wordsworth, Coleridge, Byron, Shelley, and Keats in order to show the pervasiveness during the British Romantic Period of "a text that knows it is a text" and of speakers, to varying degrees identifying with "the poet," struggling with but often surmounting anxieties about.
The two longest versions of the poem are thirteen and fourteen Books and around eight thousand lines long. One way of getting around this is to read the ‘Two-Part Prelude’. This is a much shorter sort of draft version, an embryo of the poem that Wordsworth was to develop over the next fifty years.
Wordsworth, William (), English poet, one of the most accomplished and influential of England’s romantic poet’s whose theories and style created a new tradition in poetry. He is considered one of the foremost English romantic poets; especially as he composed flowing verse on the spirituality of nature and the wonders of human imagination.
Wordsworth was born on April 7, in. Romantics however, shared the belief that reality was organic and without any set order. Romanticism brought forward the idea that with Nature lay an ideal state, free from the artificial aspects and constraints of civilisation.
To be alone in wild, lonely places was for the Romantics to be near to heaven. The most self-conscious and self-critical British poets to date, the Romantics justified their poetic experimentations in a variety of prose genres (prefaces, reviews, essays, diaries, letters, works of autobiography or philosophy) or else inside the poetry itself.
The book Romanticism and the Self-Conscious Poem ended up being making you to know about other expertise and of course you can take more information. It is rather advantages for you. The book Romanticism and the Self-Conscious Poem is not only giving you much more new information but also being your friend when you feel bored.
Romantic period. Critics began to analyse ideas of ideology, class and gender in an attempt to deconstruct previous notions of ‘Romanticism’ as a mainly aesthetic and literary movement amongst ﬁve canonical, male poets. Much effort has been made to return Romantic discourse to the contexts in which it was written and read.
An exploration of the 'self-conscious poem', one that displays awareness of itself as poetry, in the work of the Romantic poets, Blake, Wordsworth, Coleridge, Byron, Shelley and Keats.
A coda looks at some post-romantic poets, Yeats, Stevens, Auden, and Clampitt, in the light of the central themes. Although “mainstream” British poetry is generally held to have turned its back on the example and aspirations of modernism, Burnside’s form of late or neo-Romanticism seems to me strongly tinged by the tragic aspects of T.S.
Eliot’s modernist poetry—estrangement, alienation and fragmentation—while the metaphorical register of “Koi. Book Description. Written by internationally established scholars of Thomas Moore’s music, poetry, and prose writing, Thomas Moore and Romantic Inspiration is a collection of twelve essays and a timely response to significant new biographical, historiographical and editorial work on Moore.
This collection reflects the rich variety of cutting-edge work being done on this significant and. Thanks for your interest; reviews available (thus far) at The Times Literary Supplement (10 July ): ;European Romantic Review 29 (); The Wordsworth Circle 49(), ; Modern Philology(Summer ): ; Studies in English Literature, 57 (Autumn ), ; Studies in Romanticism (Summer), ; Romantic Circles Book Chat,SeptemberReviews: 2.
Books shelved as romanticism: Frankenstein: The Text by Mary Wollstonecraft Shelley, The Sorrows of Young Werther by Johann Wolfgang von Goethe, Wut. "The book was central to the evolution of Romanticism from a specifically English and insular aesthetic to a universal political and philosophical force," writes the anonymous author.
By Dr Oliver Tearle. English Romanticism tends to be dominated by a few names: Wordsworth, Coleridge, Byron, Shelley, Keats. Here, we’ve tried to strike a balance and offer ten of the very best Romantic poems from English literature, which ensures that these canonical figures are well-represented, while also broadening that canon to include some important but slightly less famous voices.His most significant publications were on the topic of Romantic literature, of which his most notable single-authored academic works were his book Romanticism and the Self-Conscious Poem and his book The All-Sustaining Air (Oxford University Press), which explores the influence of Romantic poetry on poets from Yeats to Roy Fisher.Romanticism, attitude or intellectual orientation that characterized many works of literature, painting, music, architecture, criticism, and historiography in Western civilization over a period from the late 18th to the midth century.
Romanticism can be seen as a rejection of the precepts of order, calm, harmony, balance, idealization, and rationality that typified Classicism in general and.